Table of contents
Estimated reading time: 2 minutes
Stamp state dry tropical
A steel framed with fibre glass core suitable for being hung outdoors. There are depictions on both sides so open spaces such as archways give optimal perspectives. The name STATE STAMP references the mining Battery Stamp as well as its historical connotation to the dry tropical mining in the region.
Printed fabric of photographs (as object photos) of the battery stamp are printed on fabric then sewn onto the fibre glass core. An image of the battery stamp cut out of lino then covered in layered resin forms a resemblance of the relic. Wire hoops are embedded into the fibre glass. Steel rods are threaded through all four sides to create a fixed armature. After the rods are in place soft tissue fibre glass is embedded between the rods and print which is then hardened with resin and layered with paints and clear casting resin.
Relation to the dry tropics, North Queensland.
The notion of dry tropical art is implicit within the works. The colours resemble the grasses of the dryer region. A tiny photograph print is embedded near the figure to resemble a hidden element to mining enterprise. The Battery Stamp forms part of a series that explores the relation of the ‘will to power’. Philosophically, State Stamp forms a personal endurance, relating to globalization and its discontents.
State Stamp as a art historical reference.
The story of the battery stamp being carted over the ranges begins as part of my traveling muse artworks series. The settler culture from Europe and Asia came to make their fortune at sites like the Palmer River, however it was John Moffatt brought in heavy equipment such as the Battery Stamp. This has a reference to dry tropical mining in that the set and setting is established in a ecosystem.
This became the mining empire near Irvinebank that was latter bought by the Queensland Government after Moffits retirement.Angor to Zillmanton: stories of North Queensland’s deserted towns by Colin Hooper