Outdoor art as a international travellers’ tale
So outdoor art has a general philosophy which I discuss in depth in my outdoor art: a philosophical guide. However this is about a traveller narrative that can be excessed in full on my journey in 2017/18. It is through a series of journal style accounts I discuss a sculpture travel journey as a mode of influence can lead to pursuits such as stone sculpture tuition if the traveller extends their boundaries.
Therefore the odyssey emerges as a form of life. Its the self through the passage of time that could be in theory, not a passage but interconnected points in a complex matrix. What I am suggesting is by taking up a project like sculpture tuition it can be a profoundly transformative experience.
Street sculptural matrix/passage
After a few months of travel that began in the Himalayan region, I landed once again (last time was 2004) at the tropical seaside stone sculpture port town of Mahabalipuram. It was a comfortable place to recuperate from stressful bus trips and cycling through many challenging road types. Soon I came across an out of the way accommodation with a family unit who the notion of a sculpture travel journey. It was only a day later I came upon a non-aligned soft stone sculptor who made intricately carved animals for the tourist market. He was interested in taking on small paid projects between his contracts with established sculpture workshops, which employed him on a contract basis.
We came upon an agreed price for sculpture tuition to do a week-long project with the help of a polisher and carrier who positioned the stone as well as was an aid to bring tools, tea, and assorted tasks. The place for street sculpture began in what appeared to be an abandoned construction, which was the family estate, on hold due to a lack of finance set in a back street. I could walk to the beach and shop for a getaway when I had enough grinding hard black granite.