A phenomenological perspective.
A theory is its individual choice as to the style of tourism. However, I will explore the theme from a purely phenomenological perspective. Therefore these works express a methodology of slow movement through place approach. However, there are modernizing features. A modernizing feature places limits on slow movement. Therefore countering the primordial sense of the phenomenological.
Object artworks between objects.
So a suspension of the artworks resemblances this form of destination tourism. A correlation between seeker in a locale is mediated through the phenomenology of air travel. Hurtling through the air is akin to a form of magic that has a resemblance to flying shamanic practices of the Amazon.
Multiple layers of resin and paint.
Slide 6 depicts the form of phenomenological travel through layering of images. This in a sense resembles layering of our human position whilst in flight as a supervening object. The human as object could only exist in relation to the technological structure. This in turn is taken for granted as a form of identity politics. The kind of person situated in modernity. Hence the playful depiction of the battery stamp of classic mining as having a human character.