Italozazen

Confluence of technology

In the annals of contemporary art, the oeuvre of Mr. Italozazen stands as a compelling testament to the confluence of technology, spirituality, and ecological consciousness. The year 2018 marked a pivotal moment in his artistic journey, one that saw the integration of sublimation printing into his already multifaceted practice. This technological foray was not merely an aesthetic choice but a philosophical one, echoing the Vedantic notion of “Brahman” as the underlying reality, and the Patanjali Yoga Sutras’ emphasis on the union of mind, body, and spirit.

Sublimation printing, at its core, is a process where ink is applied to fabric through ink jets. Yet, in the hands of Mr. Italozazen, this technique transcends its utilitarian origins to become a medium for existential inquiry. The artist’s methodical approach involved the procurement of a sublimation printer and an overlocker sewing machine, the latter serving to stitch the edges of the fabric, thereby adding a tactile dimension to the visual. A camera, another crucial element, captures the images that serve as the soul of each piece.

The fabric thus printed is not left in isolation but is placed on fiberglass for structural support, and adorned with silk to enhance its aesthetic appeal. This layering of materials can be likened to the stratified nature of consciousness explored by contemporary philosophers like David Chalmers, offering a textured experience that invites the viewer to delve deeper.

What sets this project apart is its rich tapestry of photographic content. The images are not confined to a single geography or theme but are a syncretic blend of Mr. Italozazen’s extensive travels through Indonesia and India, as well as his native Australia. These locales serve as more than just visual backdrops; they are landscapes of the mind, each contributing to the overarching themes of ecological spirituality and consciousness. Particularly noteworthy is the incorporation of his tree-climbing art practice, especially from the dry and wet tropics of Australia. This inclusion serves as a nod to the artist’s ongoing engagement with the natural world, a theme that finds resonance in the ecological concerns voiced in the Rig Veda and the Upanishads.

In a world increasingly disconnected from its own spiritual and ecological roots, Mr. Italozazen’s 2018 project serves as a timely intervention. It challenges us to reconsider the boundaries of art and technology, and more importantly, it invites us to re-examine our place within the larger ecological and spiritual tapestry of existence. Like Sri Aurobindo’s integral yoga, which seeks a divine life in a transformed earthly existence, Mr. Italozazen’s work is a call to awaken to a higher state of being, one that harmonizes technology, art, and spirituality in a celebration of the interconnectedness of all things.

Summary of facts

Mr. Italozazen incorporates technology into his sublimation art through the use of sublimation printing. This involves applying ink to fabric using ink jets. However, he goes beyond the utilitarian aspect of this technique and uses it as a medium for existential inquiry. He uses a sublimation printer and an overlocker sewing machine to print and stitch the fabric. Additionally, he incorporates a camera to capture the images that form the essence of each piece. The printed fabric is then placed on fiberglass for structural support and adorned with silk to enhance its aesthetic appeal. This integration of technology allows Mr. Italozazen to create a rich tapestry of images that explore themes of spirituality, consciousness, and ecological concerns.

The specific examples of images on the fabric that reflect ecological spirituality and consciousness are not mentioned in the provided context but can be inferred through the images provided for viewing since its subjective if its acknowledged that comparative religion entails a variety of interpretations of spirituality as well as the notion of ecology varies within disciplines too.

Mr. Italozazen’s project pushes the limits of art and technology in several ways. Firstly, it challenges the boundaries of art by integrating technology, spirituality, and ecological consciousness into his artistic practice. This fusion of different elements creates a unique and multidimensional experience for the viewer. Additionally, the project incorporates sublimation printing, a cutting-edge technology that allows for the application of ink to fabric through ink jets. Mr. Italozazen’s use of this technique goes beyond its utilitarian purpose and transforms it into a medium for existential inquiry. By combining traditional artistic practices with innovative technology, Mr. Italozazen’s project pushes the boundaries of what art can be and how it can be created.